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They don’t make ‘em like Michael Kiwanuka any more: the north London singer-songwriter makes lush, politicised soul that harks back to genre’s ‘70s golden era. In the five years since his previous album, Bill Callahan got married, became a father and attained a level of beatific perspective that could probably settle international conflicts. Best bit: The bold takedown of the patriarchy in ‘The Man’. The quavering, circuitous voice of British jazz-dub songwriter James Blake is still a beautiful instrument, and his arrangements are as atmospheric as ever here. Curry’s triumphant second studio album reminded us of the greatness within his home state of Florida – especially on the booming ‘CAROLMART’. HM. ‘Heavy Is The Head’ delves into the Croydon rapper’s experiences with fame and the responsibility that comes as part of the package, a multi-textured musical package that shows vaulting ambition. While Tyler has always been chameleonic, on Igor his restlessness feels like a conscious choice for the first time, not just the jittering impatience of a young star looking to explore new sounds. Key track: ‘Lesley’, a twisting, turning, 11-minute opus that sees Dave encounter a pregnant woman trapped in an abusive relationship. winner, Key track: ‘Comeback Kid’ was Van Etten’s snarling, ‘80s-styled, erm, comeback. Del Rey’s stately sixth album is completely out of step with contemporary trends: as if a Brill Building stablehand went west on a Laurel Canyon recon mission. “I’m looking for something else,” she realised on ‘Maybe You’re The Reason’, “I found myself – I’m someone else.”, Best moment: That video for ‘Lilo’ is a complete tear-jerker, and the song itself has inspired several fans to lug actual lilos along to her gigs. The country artist won the coveted Album of the Year award at the Grammys on Sunday night for her critically acclaimed, genre-bending record (and EW’s pick for Best Album … Oh. Cate Le Bon wrote Reward during a year spent living in the Lake District and learning how to make furniture. ‘Bad Guy’ was as funny as it was catchy and the siblings concocted an in-jokey spirit on the likes of ‘My Strange Addiction’ and ‘!!!!!’. The album is so much better than all other releases in 2019. 3. From the Bruce Springsteen-indebted heartland rock tracks ‘Seventeen’ and ‘Comeback Kid’ to the gritty dream-pop experiments ‘Memorial Day’ and ‘Jupiter 4’, this was Van Etten’s biggest and boldest experiment to date. Best bit: When Stefan yells “Make no mistake, I know exactly what I’m doing / I’m just surprised the world isn’t sick of grown men whining like children” on the appropriately-named ‘Full Blown Meltdown’. Best Moment: When those lush orchestral arrangements fully unfurl on the magical ‘Tonight’. The best work yet from the London rapper – she was already one of the most technically accomplished MCs in the country, but broadens and popularises her craft here with affecting song forms. Best bit: When she snaps, “You was meant to be in my Grammy speech – your entire loss”, on ‘Sherbet Sunset’. Best bit: “When Banksy put the vest on me, it felt like God was testing me,” he raps on ‘Audacity’ of his Glastonbury performance – the way he pelts through the rest of the song with ultimate confidence proves he knows that he passed with flying colours. But with ‘MAGDALENE’, her message was this: fuck with me at your peril. Best Rock Album: Rainier Fog-- Alice in Chains M A N I A-- Fall Out Boy Prequelle-- Ghost WINNER: From the Fires-- Greta Van Fleet Pacific Daydream-- Weezer. CA, In a nutshell: Self-love anthems from the people’s pop star. It’s a moment of fragility, but one that’s undercut by what has come before it – FKA twigs has proved that she is more than enough, someone who can sing, write, produce and pole-dance, all of it brilliantly. It lands alongside a string of high profile collabs which have made 2019 Burna Boy's year. Opening track ‘A Lot’s Gonna Change’ best tethered those ideas together: “Go back to a time when I was just a girl,” she crooned, “When I had the whole world”. “Fuck a fake smile,” Grande sang on ‘Fake Smile’, “If I’m hurt, I ain’t gonna lie about it.” It was something of a mission statement for ‘thank u, next’ as a whole. On ‘Map Of The Soul: Persona’, they used the psychological theories of Carl Jung to explore ideas of identity (the riff-fuelled rap-rock of ‘Intro: Persona’) and delved into Greek mythology with the swaggering ‘Dionysus’. Kendrick Lamar Record Of The Year “I Like It” - Cardi B, Bad Bunny & J Balvin “The Joke” - Brandi Carlile **“This Is America” - Childish Gambino “God’s Plan” - Drake “Shallow” - Lady Gaga & Brad… The emergence of a new Desert Sessions album in 2019 was something of a surprise. She had also mastered Wushu, an intricate martial art involving razor-sharp swords. Having the Atlantans rap on her floaty R&B set her album apart from any other record in the genre this year. Makes crowd-surfing more comfortable. BBT Read the full review. At least the music this year was good!!! Rhian Daly, NME said: “‘Immunity’ is an album to burrow into and become resident in its songs. ‘All My Heroes Are Cornballs’ was JPEGMAFIA’s most personal album to date, combining his own brand of punk-infused rap with darkly comical lyricism, offbeat ad-libs and video game snippets. For the old punks who had finally found a band to believe in again after decades of disenfranchisement to the teenagers coming face-to-face with their first real heroes, Fontaines’ emergence felt like a real moment. HOW TO VOTE 1. As she put it on ‘Ecstasy’: “Long live Sneaks.” JB, Best bit: The demonic voices that chant the album’s name on the title track. Also: echoes of All Saints’ sultry best. As with Bowie’s Blackstar and Leonard Cohen’s You Want It Darker, David Berman’s long-awaited return to music will forever be overshadowed by his death, as he died by suicide less than a month after its release. “They’re waiting and hoping I’m not enough,” she sings on Cellophane in the album’s final moments, contemplating the fallout from the end of her relationship. BBT Read the full review. There comes a point in young adulthood where you really get deep into figuring out who you are. Key track: ‘Jesus Forgive Me, I Am A Thot’, Best bit: Peggy’s attempt to smoke out basic bitches with ‘BasicBitchTearGas’, a cover of TLC’s ‘No Scrubs’. Ultimately, ’Madame X’ represented an eclectic, masterful new phase that stood tall amid her inimitable back catalogue. Tracks either abruptly snap off like an unfinished thought or dissolve into the silent distance. CHECK THE RESULTS HERE! Best bit: This line in ‘Roses Are Falling’: “You Know darling, you bring out the worst in me / Sometimes, when I’m around you, I feel like pure evil”. But it’s a disarming invitation to Hval’s most intimate work yet, one where she and her collaborators contemplate the purpose of existence and art in imagery that’s no less evocative for its surrealism. With this well-crafted homage, the 24-year-old edged himself closer to his idols. But peel away the gaudy rollout, two misrepresentative lead singles and the baggage surrounding its creator and you’re left with an endearing, adventurous old-school pop album. Get involved and join the conversation with #bnqtAOTY19. Alexis Petridis Read the full review. And ‘Cellophane’ was an anguished cry: “They want to see us, want to see us apart,” she sang, addressing a vague, collective spectator once again. With the release of ‘i, i’, he announced, “it might be autumn”. Best bit: The opening, a capella vocal gymnastics of title track. LS Read the full review. Twenty-seven tracks long, and with guests ranging from Solange to David Lynch, Flamagra is the most ambitious vision yet from the LA beatmaker. Over metronomic garage-rock, frontman James McGovern sings like a man reading a list of demands out of a high window, but also modulates into sweeping gothic romance. Pushing her sonic boundaries, she crafted one of the year’s stand-out albums from a British rapper. She expressed resentment towards her ‘man child’ boyfriend on the title track, but also acknowledged – with a nod to Leonard Cohen – that she was willing to stand by him, declaring on ‘Mariners Apartment Complex’ that “I’m your man”. Best bit: When, on the title track, he sends up those Dizzee Rascal comparisons: “I’m just a boy in the corner.” Natty Kasambala, NME said: “Guiding you on a whistlestop tour of his life, community and resultant beliefs, the record serves not only as a statement of identity, but also an indication of the sprawling possible paths for his career to grow into.”, In a nutshell: A lush tapestry of swoonsome sounds and killer wit from America’s most underrated songwriter. It makes Legacy! From Stereolab to LCD Soundsystem and Hookworms, almost every year produces a band who replicate the soothingly simple, eternal groove of Neu! Georgia Evans, NME said: “Lana Del Rey is large – she contains multitudes, and the way she balances and embodies them on her fifth album is nothing short of stunning.”. Tyler was back. – and in our world of lies and gaslighting, we need that north-star constant more than ever. Music is filled with no shortage of characters proclaiming how “mad, me” they are, so it’s rare and delightful to come across a genuine oddball. That track saw signature pungent vocals soaring atop a sample of Florida greats Plies and Trina’s ‘So Clean’, and they were name-checked in the lyrics: “, The emergence of a new Desert Sessions album in 2019 was something of a surprise. BBT Read the full review. NK, In a nutshell: Reformed Sheffield deathcore lads go alt-pop. WR, In a nutshell: Rock’s shadow man lays his heart on the line. These albums won’t change the world, but they do offer us a different perspective and help us to stand in someone else’s shoes for little while. 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